August 12th, 2009
Dolan Yacht Services Website

So, earlier this month, I pushed live a project I have been working on over the past couple of months – http://www.dolanyachtservices.com . The website is a small site for a Boat and Yacht repair service company based in Savannah, GA. And I have to say, its been a pleasure working with them and getting to know them as we progressed through the design of the site. I had met Phil, the owner, through his wife. We both attended SCAD and had class together. And I have to say they are probably the nicest people I have met. I mean from the get go, Phil just said kind of do whatever you think would look good – what? Creative Freedom? And throughout the process, everything went pretty smoothly, the kind of client that makes you love freelance.
As far as design was concerned, I wanted to make this site have a more professional feel. I mean I have done the themed website, like www.davidgroseclose.com and those are all good and everything but for this I wanted it to be clean, and well professional. I wanted the viewer to trust and feel comfortable with the company before they ever meet the guys. That was what I was after when I started this design. From talking with them, we were pretty much on the same page. We brainstormed a few ideas like updating weather and some of the products they offer. One key thing his company had established was their red and black colors. This was something I had to incorporate that into the design. They had already purchased a domain and had been sitting on it for like two years or something just paying the monthly fees. So I threw up a bright red coming soon page and got to work on a design in Photoshop.

I created a few designs, messing with the idea of the bright red being cut into a wave.  Making the water match with their logos without making it insanely obvious.  For the background I wanted it to be light and have a corporate feel.  The gradient gray gives the website a hint of depth while staying on the lighter side.  We tried a dark version of the site, but it just didn’t seem right. I was afraid that if I went too dark, the website would lose the clean ocean feeling I felt while sitting at the marina when I met Phil.  I mean there he is, right on the water of the Atlantic ocean.  Its not dark, it bright and freaking amazing.  Even though the company’s colors were red and black, I wanted to make sure to sparingly use black and focus more on the bright surrounding that he and his clients are used to seeing.

For me, the place was an amazing experience.  All around are amazing boats and incredible views.  Taking pictures for this project was a blast ( not every day your work  for the day is out on a boat in the Atlantic ocean.) I especially like this boat hull picture.  I guess the light blue and yellows, as well as the slightest graininess of the picture remind me of those beach pictures taken with a Holga or something. Since there wasn’t much content for the site, it was designed to be simple and easy to use.  The pages mostly consist of the bits of copy with a few images.  A ‘Here is what we do, and this is what we look like.’ The frontpage is the same way, consisting of contained areas with most of the content broken down on the front page in mini featurette sections.   Keeping it simple and honest.  With the site’s simplicty, I designed it so that it could grow in the future.  Easy additions to the menu and you have a whole new section to work with.  Its a basic website design, but I feel it works and looks good.  I am happy with the way it turned out and the entire process.  Only thing I wish was that I could have stayed around to take a few more pictures (always could use more pictures).  During the end of this project I actually accepted my full time job at Protect America Inc. as a Graphic Designer (I found out I got the job while taking pictures at the marina actually).  So as the site was almost ready to go live, I was packing my bags and heading to Austin.  I had gotten alot of the pictures I was looking for and would have to complete the writing of the copy when I had settled in. Well, I hope everyone enjoys the site, if you haven’t already checked it out, you should defintely do so now, http://www.dolanyachtservices.com

Hopefully we can get the webcam idea up and running soon, Phil is trying to find a decent camera that will work.  But once that’s up, visit the site whenever you want a beautiful view from Savannah, GA.

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August 1st, 2009
Here is a test from afar

Today, I have joined the millions of other apple followers and have
decided to get an iPhone. And with it comes many cool things, like
this post… So hopefully smaller, yet more frequent posts will come
along as now I am able to post wherever I am feel like it. Waahoo
technology!

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July 12th, 2009
An entry a long time coming.

So I know that its been nearly four months since my last post and I know that probably means that any follower of said blog has long since past this humble writing on to find another part of this vast world wide web. I feel that I have to apologize for my absence. But as school finals approached and available time began to become shorter, I had to focus my attention to other things in my life. Most importantly, finishing school and finding a job.
I must admit that the sole intention of this website was to find a job. I mean after deciding to go back to school and going through the classes, I knew that my focus was to get back to what I was doing…working. Savannah College of Art and Design was a great place to go back to school. I often felt while designing, I was sort of pulling it out of my ass. Designing at the seat of my pants. No real reason or motive behind my work. SCAD taught me to think about the why, the reason why we design that way we do. Give design purpose, think about the end-user, think about the message. The school also showed me what came before, it showed me the history of art. It opened up these ideas that just weren’t there before. Finally, it allowed me to meet some wonderful teachers, mentors, and friends. Damn, I feel like I am some cheap advertisement for the school.  But I am glad I have moved half way across the United States to a place I’d never been to, and go to school.
While studying at SCAD, I have always treated it as another job, and for that I feel that I have benefited. I worked my ass off to make sure the deadline was met and the work was completed to the best of my ability. And for that I was rewarded, I earned my degree. But I didn’t do it alone.  Those mentors, my friends, my family, Chelsea…They helped me.  They are my strength and my world.  I mean they are the ones that gave me the resources to get my job done. And I am sorry that the dining room table was converted into my art studio for two years.

Now, now I have moved once again, halfway back home to a city I’ve never been to called Austin, TX.  Because you see that idea of focusing on getting a job, well, I got one.  Now, it seems like I have started a new chapter in my life.  And as I sit on my back porch I can only think, Life is good.  Sitting right next to me is my beautiful girl, sipping on a glass of wine and my dog rolling around in the yard.  How could I not think that it can’t get any better? But the other side of me thinks Holy crap we have moved once again to a place I’ve never been.  What are you doing you fool?!  I guess time can only tell what will happen. And I can only hope for the best.

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April 24th, 2009
Swiss Army Knife Packaging

This is a project I recently completed for my Package Design course at SCAD. Our assignment was to recreate a non-food packaged item.  We had total creative freedom otherwise, as long as the design was appropriate.  So to start this assigmment, we first had to choose our products.  And thinking up a product off the top of my head in about 5 minutes wasn’t a good idea.  It’s like when you aren’t needing your computer to do anything it works really fast, but as soon as something is due – it conks out on you.  Well, that’s what my brain did – so I did what any sane designer would do,  I went shopping.  First I headed over to Target.com then on to the real store and somehow ended up in the camping section.  Not a camper by nature, I am not quite sure how I made it to this section (perhaps because it was next to the toys section – yes!). But a shiny red knife that could do anything and everything caught my eye and thus my product was chosen.  The original packaging was dull and boring, a plastic clamshell that has that sealed plastic weld that is impossible to open (The kind that a Swiss Army Knife would be quite helpful for and yet it merely mocks you enclosed in its plastic shell – yeah that kind). These knives are supposed to be the end all be all of pocket knives and yet the best they can come up with is a damn clamshell…my plans were to one up them and design a feasible yet beautiful package (Dream Big!).

For research I really thought about this product and who used it.  Right off the bat I knew I wanted to use their logo (duh) and of course my prominent color would be red.  My font choice was pretty obvious as well with it being Helvetica (Swiss Product = Swiss font). But my research also led me to other preplanned decisions.  The typical user of this knife would be boyscouts, outdoorsmen, etc. and therefore I deduced a love for the outdoors.  From this, I selected my paper choice as a natural style paper that was eco-friendly and recycled.  I originally wanted to go with something from French Papers but found that they were a bit expensive for my tastes.  Instead, I was able to find exactly what I was looking for with Neenah Paper’s Enviroment Series.  I ordered samples from their website which were free except for shipping and handling (rock on Neenah!).Also from my research I found that people that get these knives really just want an excuse to use them (this is pretty much on a personal level – I bought the knife for the project and have since used it every chance I get). But from this, I decided early on that I wanted to include an interactive element in the package. From these choices and ideas, this is what emerged:

Alright so the design starts out with a 100lb paper sleeve that is very simple and features the logo on one side and a techincal drawing of the knife on the other side.  I wanted to keep this design as simple as possible while making sure that the package stays true to the Swiss Army Knife lifestyle.  The techincal drawings are meant to play into this idea of field manuals used by the military and also plays well into the technical aspects of the knife with the precision and manufacturing that the knife actually employ. The sleeve gives the packaged a very refined and elegant finish and allows the logo to be prominently displayed.  I feel that when browsing the pocket knifes that brand is strong enough that the logo alone is enough to sell this knife.  Basically, everyone knows what a Swiss Army Knife is (at least people that are shopping pockets knives, and those that have somehow manged to wander into this section from the toys). When sliding the package out of the sleeve, you are greeted with the company name and the glisten of the knife through the diecutted opening.  Various sides of the packaging contain information about the product.  Opening the tab at the top allows you to retrieve the product. Like I said earlier, this package is about interaction and allows you to use the knife right away.  The instructions and ‘operating manual’ are acctually printed on the insde of the package and to reach them you cut open the side of the package.  So, after carefully slicing the side open, you can unfold the attached booklet to reveal the operating manual.  This gives youthe guide to the tools, care, service, etc. While it may seem silly to cut open the box that stores the product, the mentality of this is that you should use the knife the way it was intended and attach it to your keychain with the keychain implement included on the knife – thus, no need for a box.   Well, that’s it thats my packaging.  Overall, I feel that this is a pretty successful package. It’s a practical design that works for the mentality of the typical Swiss Army user. The flat piece is printed on Neenah Enivorment (Desert Storm, 80lbs & 100 lbs cover) and is less then 8.5″ x 11″.  It is printed in 2-color (Red & Black), double sided.

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April 6th, 2009
Brushing up on my fonts

I’m not the greatest at knowing type names and faces.  Hell I can pick out a serif from a san-serif, but distingusihing two fonts with very similar characteristics I find a bit excessive.  I usually go through my fonts, and actually choose the font I feel fits with my design – I hardly care about what the name is. Granted, it usually is a famous well-used font like garamond, helvetica, etc.  But if the font fits, use it. Picking em out and naming them straight off – I would probably fail. I know I probably couldn’t pick that many fonts out from a line-up (this is excluding the usual suspects like comic sans, papyrus, etc).  Saying this seems like, as a designer,  I have no regard for typefaces whatsoever -that is completely untrue. I have great respect for type creators and the magical feeling you get when type fits perfectly together.  I was actually laughing at myself as I sat there kerning each letter in a sign that was to be used at a baby shower.  Yet, as I continue to gorw as a designer I find myself doing this more and more.  It feels like designers, good designers, sort of have this minor OCD condition about type.  I noticed it as a young designer in the actions of my mentors, and I am noticing it now as it comes over me.  Perhaps this is a good thing. Type is important tool for designers.  It is but one of the few domains we have rule over.  It is one of our babies – cherish it.  And Ithis blog entry was about something totally different and I wandered a bit there. So, yeah, I know as a graphic designer it is important to get a handle on a basic set of fonts that you know inside and out.  And while browsing through other blogs I came across a nifty little game to help me, and you, brush up on our fonts.  So, shoot to your heart’s content.

http://www.deep.co.uk/games/font_game/

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March 30th, 2009
Skeleton T-Shirt

After a few requests, here is a picture of the skeleton shirt that I screen printed a while ago.

Dancing Skeletons T-Shirt

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February 21st, 2009
Charity: Water Awareness Poster

I  am currently taking the Graphic Design course called Production Design at SCAD and for our latest project, the entire class was given a theme from which we were to create a 12″x18″ folding poster.  In our case, we landed upon the theme of water issues.  Being a folded poster, we had to take note on how it was to open and try to show parts of a complete story as each new visible area is revealed.  So, the opening action is just as important as the actual finished poster.  And, one of the key requirements for this poster was that it had to conform to postal code so that it can be mailed. So, with challenge in hand, I delved into research.

After researching various water issues I stumbled upon the charity: water website through the recommendation of a classmate.  I found what they are doing very compelling and interesting.  The facts about unclean water that they have presented (as well as other sources) is unbelievable.  I mean, it is ridiculous that we use more water flushing our toilets then some people use for their entire day.   Then the water they do use, ends up doing very bad things to them and kills more people each day then any kind of violence including war. It is some pretty crazy stuff, check out the site at: www.charitywater.org

For my poster, I found myself inspired by the 2nd video they have in the gallery that really depends on text animation and stats.  I have a great respect for the motion graphic artists that can use just text to convey powerful feelings and messages.  So, for this project I wanted to sort of capture this motion graphic feeling in print.  I wanted my text to have action, to feel as if its moving, without actually doing anything. Obviously I cannot achieve the true animation, but by playing with the text I hope to achieve a sort of fast paced read that ends in the final image on the back.

To start this project, I began by building a mock up and seeing how the actual piece would unfold.  This is important because while each section of the poster is a small rectangle, some rectangles appear together or have to be designed upside down so that they are right reading when opened correctly.  A tip for anyone doing project with any kind of fold…BUILD A MOCK UP.  Write on each side “UP” so you know when you unfold it how the final piece should be arranged. I have to say that this mock up helped me constantly throughout the design process, so I could look back on it and make sure I was doing everything right.

From my mock up, I was able to start sketching out sections. I knew I wanted the poster to be mostly typographical, so I used my research and pulled facts out that made sense to help make up my images.  I wanted the entire poster to be one complete story.  Each section would tie into the previous and lead to the next.  What resulted was this story:

Why Water? Because 1 in 6 people do not have access to clean water. And cholera, typhoid, bacillary disentry, polio, meningitis, hepatitis a and e, and diarrhoea love dirty water. In fact, unclean water kills more people everyday then all kinds of violence, including war.  But, you can help! By donating 20 dollars, a well can be built. And instead of 4900 children dying from unclean water each day, you have 20 years of fresh clean water. Donate hope, one drop at a time.

To create this story, I had built the text as if it was water itself…The first “opening sequence depicts a facet with dirty water coming out and pouring into a glass filled with disease and death.  Again, I made sure to stick with my previous concept of action text and portrayed everything with type.  When I got to the second opening sequence…I was confronted with the problem of creating a flow with too much information.  I wanted the eye to move fast down through the ground all the way to the end where they get the message “fresh clean water.” My intention for this part was the eye to not stop and get all the way down to the bottom. Therefore, the information is step up so that your eye can move down different paths and the message still makes sense.  It might seem confusing at first but I think once a viewer reads the entire thing (any way they wish) they realize that the whole thing still makes sense.  And you still have a fast pace read to the end.

For the final part of the poster, the full back piece I wanted it to be a bigger message and also be standalone.  Therefore, the image had to be a bit detached from the original narrative.  This is the part of the poster that someone might hang up and couldn’t be dependent on information on the back.  For this, I went with an image of the globe. It is an easily recognizable symbol but buildings it out of water gives a bit of an “Aha” factor.  I still feel it ties into the original story, just expands upon it to a global scale.

Overall, I feel that this poster is successful.  The way the text reads gives the feeling of motion – the main theme I wanted to capture.  It also got many comments from professionals of, “a poster someone might actually read instead of tossing” (which I am quite proud of). Oh, and it also successfully made it through the mail with one 42 cent stamp – woo hoo!

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February 15th, 2009
A Screen Printing Test

Screen Printing Test

I have long been interested in the ideas and process of screen printing.  I like the fact that it is such a simple process that can be done by basically anyone.  I love the manual-process aspect of it and the variations in quality that are associated with it.  Yet, for some reason I have (until now) been reluctant to even try screen printing.  I have had a small screen for over a year and, for lack of a better term, have been afraid to put an image on it.  I think it has to do with the permanent aspect of a screen.  That is to say, once an image is on it, that screen is used and done.  So I guess I just never wanted to waste a screen on just anything.  But finally I have talked myself into using it up and actually trying to screen print

skeleton1

The design I created is inspired from two things.  First is an old Walt Disney animation about skeletons dancing. check it out here: www.youtube.com/watch?v=EP1TzHbt7do The second source is from Tim Burton’s Corpse bride and specifically the musical sequence about the back story of the corpse bride. The final output is intended as a t-shirt and being a big fan of Disney and Burton, the whole design can be really seen as created just for me.    The purpose though is to just try out screen printing and perhaps learn some technique that I can use in future designs. So to create the piece, I drew the design by hand and then scanned it and recreated it in illustrator.  This allowed me to tweak the design and be able to create a repeating pattern (Adjust bone sizes and fix weird areas). You will notice that pieces of the finished piece are actually mirror images of the other side. I drew about half the skeleton then finished it off in Illustrator.  Again, this was to make sure everything lined up and worked as a pattern.

A challenge I had for this project was the size of the screen.  Being small, I was only able to fit one skeleton the screen.  This would mean that I would have to use the same screen multiple times on the same design.  I knew ink lift-back would occur but decided to figure it out when I got to that stage.  I printed the design out in black and white and taped it to the back of the screen.  Next I used screen filler and hand painted in the negative image of the screen.  I chose hand painting instead of photo emulsion because I already had screen filler (bought when I got the screen) and I hope would make it a bit rougher image.  Once dry, I used black ink on some extra paper I had laying around.  I can’t believe how easy this process is to do and actually is kind of fun.  After my first test I had to wash off the screen and go back to fill some more spots I had missed with the filler.  But after it was dry again I got a pretty cool image.  As for the repeating pattern, I solved liftback by wiping down the screen really fast with a damp paper towel. I am quite happy with the results but in the future, I am going to use bigger screens and photo emulsion to save time. For now though, I am happy wearing my dancing skeleton t-shirt.

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